Gericaults transportas bequest in art and politics Theodore Gericaults greatest legacy as an artist is undoubtedly his Raft of the Medusa, completed in 1819. The painting is the comprehensive result of experiments with a variety of forms and styles; it pit the apogee of Gericaults career. Beautiful and horrible, incidental and ubiquitous, monumental without a particular(prenominal) hero, The Raft of the Medusa was to the Salon of 1819 a complete paradox. The paintings maiden critics were split up in their assessments by their political and delicate ideologies.
both(prenominal) critics at t he paintings initial exposition desired a take in more(prenominal) blatant in social criticism slice others matt-up that the painting derided the very patriotism they felt needed protection. artistically too Gericaults masterwork was found to be an enigma. He followed no artistic school coherently and attempted a alliance of sorts that was precious in his day. While such efforts did not pass almost him with his Romantic contem...If you want to get a full essay, guild it on our website: OrderCustomPaper.com
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