How Does Shakespeare Present the Theme of Love and Marriage?

The influences of nature and confirm are ambiguous (unclear), how far do you harmonise with this bidding as far as childhood is concerned? In this essay I am going to be arguing how far I agree that the influences of nature and nurture are ambiguous. To help develop my argument I am going to use the likes of Heathcliff, Cathy, Isabella and the Lintons. I agree strongly with the statement that the influences of nature and nurture are ambiguous my reasoning for this is that the novel is non focusing on this aspect and therefore doesnt get full explored. The theme of childhood, voiced by the elder Cathy on her cobblers lastbed, is continued in the main action of the second half of the book .. . in one way or another childhood is in fact the substitution theme of Emily Brontes writing. This time in Catherines life, which is unquestionably associated with Heathcliffs appearance in her dramatics and the strong feelings the boy then arouses in her, is, indeed, described at duration by the narrator Nelly, as it will determine the following blushts in the novel.Catherines dreams of happiness are associated with childhood all through her life, and even on her death-bed she still looks like a child in Nellys eyes She draw a sigh, and stretched herself, like a child reviving, and sinking again to stillness and five minutes after I felt one dinky pulse at her heart, and nothing more . Finally it is the ghost of a child that visits Lockwood, the newcomer and second narrator in the novel. Until she dies at the get on of nineteen, Catherine clings in a passionate way to her childhood memories.The most revelation passage is the scene which takes place after Heathcliff has returned from a long absence and has just quarrelled with Catherines husband, Edgar Linton. This scene, in which she raves, is significant as it echoes the childhood scenes in which she suffered from macrocosm separated from Heathcliff. Her memories have actually never stopped cropping up in a n insistent way and she now cannot help lamenting about what has unplowed recurring and recurring till I feared for my reason. The past years even end up overlapping the present situation and the adult in Catherine totally identifies with the child. The year she has spent with Edgar then seems to vanish at once. Her tangible sensations as she lies in her bed at Thrushcross Grange release images from the past and she sees herself finesse in her bed years earlier at Wuthering Heights. She yearned to transcend death and to recover the freedom she used to share with Heathcliff when she was a child Their vulgar destruction by tooth and nail in an effort, through death, to get game to the lost state of gypsy freedom in childhood.